So it begins.
What I have done to you is unforgivable. I was so lost in hatred and revenge. Sweet Aurora, you stole what was left of my heart, and now I’ve lost you forever.
Dave Franco at Neighbors behind the scenes.
At my family’s house in Illinois for the night
Several hours until Minnesota. Several hours until meeting new people and starting a new job. I would be nervous and excited but I’ve been in a car for 12 hours.
Taxi Driver (1976)
“In Twin Peaks, Lynch showed us our small-town nightmares and the darkness of human nature. Sherman-Palladino is clearly a fan of the show and Lynch’s work, and took his flights of fancy and weirdness to heart, creating her own out-of-this-world small town in Gilmore Girls. The two shows feel like cousins because they’re equally surprising; there’s not a formula that they’re following, a road that you’re confident that they’re going down. They both were obsessed with and loved the location and place. There’s a lightness to Gilmore Girls that isn’t in Twin Peaks, a case of sweetness versus horror, but at the end of the day, the takeaway is the same: it’s a strange world that we live in, and you’ve got to leave the small town before it changes you forever.”
- Me: Where are the owls? WHERE ARE THE OWLS?
- Hooters Waitress: Please sir, you're causing a fuss and disturbing the other customers-
- Me: *banging my hands rhythmically on the table* WHERE-ARE-THE-OWLS? WHERE-ARE-THE-OWLS? WHERE ARE THE OWLS?